This is a blog of ongoing projects starting with: 1) Antarctica -Dec. 2006 - February 2007 2) Work made from the experience 2008 3) Nevada Feb. - Oct. 2008

Wednesday, July 13, 2011

Day 3 Carbon Sink

Well, yesterday I did a phone interview with a journalist from the Star Tribune. The article was on the front page this morning and it seems the s**t has hit the fan.But let me just clear one thing up first; the beetle crawling on Connors T-shirt was not apparently a pine bark beetle. They need bark and there is none on the logs. Well here is the article, apart from the inflamatory headline it seems quite balanced.

University of Wyoming sculpture blasts fossil fuels

By JEREMY PELZER Star-Tribune capital bureau | Posted: Wednesday, July 13, 2011 6:00 am | (14) Comments

Courtesy University of Wyoming

Artist Chris Drury constructs his sculpture titled 'Carbon Sink' south of Old Main on the University of Wyoming campus in Laramie on Tuesday afternoon.


For the next three weeks, British artist Chris Drury will be constructing an outdoor sculpture at the University of Wyoming that connects the burning of fossil fuels to the region’s devastating mountain pine beetle epidemic.

It’s a message that doesn’t sit well with Wyoming’s mineral industry, which dominates the state’s economy and has given millions to the university.

The sculpture, titled “Carbon Sink,” will consist of a flat whirlpool of beetle-killed logs spiraling into a vortex of charred, black wood and studded with large lumps of Wyoming coal. Thirty-six feet in diameter, it will be just south of Old Main, near the intersection of 10th Street and Ivinson Avenue.

The work will be the latest entry in the UW Art Museum’s ongoing exhibition of large-scale sculptures around campus and throughout Laramie.

Like the other exhibition entries, “Carbon Sink” is only expected to last for a few years, until the wind and elements weather it down.

UW Art Museum Director Susan Molderhauer said the total cost for Drury’s sculpture and a second sculpture by a different artist was $75,000.

The sculpture is funded in part by a public grant through the Wyoming Cultural Trust Fund, she said. The remainder of the cost is being paid by a private donor.

Molderhauer said she’s been trying to bring Drury to Laramie since 2008, when the museum first launched its outdoor sculpture exhibition.

The sculpture was reviewed by UW’s art committee and approved by UW President Tom Buchanan, said university spokesman Jim Kearns.

Drury, a “land artist” who for 36 years has built sculptures in America and Europe using local materials and the local landscape, said he got the idea for “Carbon Sink” when he visited Laramie in November.

Talking with UW faculty and students, Drury said he learned about how during the past decade or so, mountain pine beetles have infested and killed more than 100 million acres of forest in Wyoming and other mountain states with no effective large-scale way to stop them.

Most scientists believe the dramatic increase in the number of beetles has been caused by warming temperatures and drought. In turn, most of the scientific community believes those trends are primarily human-caused, in large part because burning coal, oil and gas releases carbon dioxide and other heat-trapping gases into the atmosphere.

“I just wanted to make that connection between the burning of coal and the dying of trees,” Drury said. “But I also wanted to make a very beautiful object that pulls you in, as it were.”

But Drury’s message could prove controversial in Wyoming, which produces more coal than any other state and is heavily reliant economically on fossil fuel extraction.

Last year, several major UW donors threatened to withhold millions in promised donations after the university invited 1960s radical-turned-academic Bill Ayers to speak on campus. UW banned Ayers from speaking, citing threats of violence, but a federal judge forced the school to allow him to deliver a lecture on education theory.

Marion Loomis, executive director of the Wyoming Mining Association, said it’s “really disappointing” that UW decided to build the sculpture. He pointed out that the mining industry has “been a stalwart supporter” of the university for years, giving the school millions of dollars in donations for projects such as the new School of Energy Resources.

“They get millions of dollars in royalties from oil, gas and coal to run the university, and then they put up a monument attacking me, demonizing the industry,” Loomis said. “I understand academic freedom, and we’re very supportive of it, but it’s still disappointing.”

Loomis said it’s “hard to tell” whether the sculpture would affect the mining industry’s donations to UW in the future.

“I’ll have to see what it looks like, I guess,” he said. “And maybe they’ll put up a sculpture commending the affordable, reliable electricity that comes from coal on the other end of Prexy’s Pasture.”

Kearns said UW officials had no comment on potential controversy over the project.

comment tread on:

So first of all I am not attacking anyone, least of all the energy companies. I use as much oil, gas and electricity as anyone else in the Western world. My Carbon footprint is probably off the scale as I travel around the globe by plane. I come from the first industrial country, whose industrial revolution was based on the burning of coal, and much of our energy still comes from that source. So far be it for me to preach what we should and should not do.

However the science is abundantly clear on the fact that our actions are altering the climate and whole mountain ranges of dying forests are a visual reminder that things are not good and if nothing else, we need to have a conversation about it. The energy company might give the University of Wyoming millions of dollars, and in return they will get accurate unbiased science, often in their favour. But I presume that the gift of this money doesn't mean they dictate what the University does nor will it be used to stifle a debate that needs to be aired, because it is the future of our children and grandchildren that is at stake here as well as the entire biosphere. I don't have answers, but the questions need to be asked.

But really this was never intended to be a didactic sculpture, it is far more than the sum of its parts - coal and trees. It takes the form of a universal energy found in both the microcosm (e.g.flow of blood in the heart) to the macrocosm (formation of galaxies). It means that we are part of something much bigger than us, and it will be here long after man is just a fossil record.

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